The visit of Max Bill – Brasílias’ subway tiles
The visit of Max Bill – Brasílias’ subway tiles, 2017 Acrylic on canvas 210 x 170 cm I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a vast
The visit of Max Bill – Bulcão/Bill 2
The visit of Max Bill – Bulcão/Bill 2, 2017 Acrylic on canvas 170 x 170 cm I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a vast number
The visit of Max Bill – Bulcão/Bill 1
The visit of Max Bill – Bulcão/Bill 1, 2017 Acrylic on canvas 170 x 170 cm I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a vast number
The visit of Max Bill – Ludolf/Clark/Carvão/Oiticica/Bill
The visit of Max Bill – Ludolf/Clark/Carvão/Oiticica/Bill, 2017 Acrylic on gesso coated paper 130 x 80 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the
The visit of Max Bill – Clark/Bill
The visit of Max Bill – Clark/Bill, 2017 Acrylic on cardboard 29 x 42 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the copies are
The visit of Max Bill – Clark/Bill
The visit of Max Bill – Clark/Bill, 2017 Acrylic on gesso coated paper 120 x 105 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the
Compared geometry – Clark
Compared geometry – Clark, 2016 Acrylic on cardboard 39 x 17 cm This ongoing series places images and materials close together or side-by-side for comparison or contrast. The objects of comparison are found cardboard parts and the geometry inherent to them. The small paintings are reproductions of iconic Geometric abstraction paintings by Brazilian artists from