The visit of Max Bill – Cobogós, 2018Acrylic on canvas50 x 40 cm(Private Collection) I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a vast number of changes
The visit of Max Bill – Brasílias’ subway tiles, 2017 Acrylic on canvas 210 x 170 cm I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a vast
The visit of Max Bill – Bulcão/Bill 2, 2017 Acrylic on canvas 170 x 170 cm (Private Collection) I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a
The visit of Max Bill – Bulcão/Bill 1, 2017 Acrylic on canvas 170 x 170 cm (Private Collection) I was born and raised in São Paulo, Brazil, one of the world’s biggest cities, which carries many cultural contradictions and a social context historically defined in the relations of colonialism. The term post/colonial refers to a
The visit of Max Bill – Ludolf/Clark/Carvão/Oiticica/Bill, 2017 Acrylic on gesso coated paper 130 x 80 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the
The visit of Max Bill – Carvão/Bill, 2017 Acrylic on gesso coated paper 36 x 28 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the
The visit of Max Bill – Vieira/Bill, 2017 Acrylic on gesso coated paper 40 x 55 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the
The visit of Max Bill – Barsotti/Bill, 2016 Acrylic on gesso coated paper 150 x 130 cm The visit of Max Bill is a series of appropriations. They are copies of iconographic paintings by Max Bill and by Brazilian artists produced during the Concrete Art period. The paintings fit together like a collage as the
